The two Cologne-based photographers Jo Fober and Guido Mario Mosler show two positions in the perception of city life. "Charisma Paris" unites Fober's richly contrasting architectural and street images with Mosler's shimmering water and asphalt reflections and painting-like pinhole camera shots. Fober develops a new view of infrastructure and transfers the no-bleach method from the analogue to the digital world. Mosler’s groups of works are defined by the impact and meaning of blurriness.

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